11 Best Microphones Under $250; Reviews

Trying to find the best microphone under $250 can be a daunting task for beginners and music enthusiasts. Especially because there are so many mic options to choose from, all varying in different price ranges, which can make it tough.

I know that sifting through the different types of microphones may get a little messy for you, so here are some of the best microphones under 250 dollars that are not just budget-friendly, but high-quality in both sound and design.

To make your buying process easier, I have divided this article into three sections:

1. Best Large-Diaphragm Condenser Microphones Under $250

A large-diaphragm condenser microphone is probably the most versatile and useful if you are purchasing your first microphone. A large-diaphragm mic is particularly suited to recording studio vocals and most acoustic instruments. 

So if you want to record your voice, acoustic guitar, etc, or make pristine voiceover tracks for your videos then the large condenser microphone is going to be your best choice. 

2. Best Small-Diaphragm Condenser Microphones Under $250

Small-diaphragm condenser microphones are useful tools in the studio and live sound environments around the world. 

They are regularly used to close-mic instruments and as distant/room mics. The characteristic fast transient response extended frequency response, and consistent polar pattern specs make them go-to’s for many applications where precision is critical.

3. Best Dynamic Microphones Under $250

Dynamic microphones can take a lot of signals without being damaged due to their low sensitivity and higher gain threshold, so you’ll see these used in many live situations. They’re also really good studio mics for things like drums, brass instruments, pretty much anything that’s really loud.

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3 Best Small-Diaphragm Condenser Microphones Under $250

Comparison Table

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4 Best Dynamic Microphones Under $250

Comparison Table

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Large-Diaphragm Condenser Microphones – Reviews

1. Rode NT1-A Anniversary Condenser Microphone

Microphone Specs:
  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Diaphragm Size: 1″ (25.4mm)
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 137dB SPL
  • Self Noise: 5dB 
  • Connector: XLR
  • Weight: 0.7 lbs.
  • Included Accessories: Shock Mount, Pop Filter, 20′ Mic Cable, Dust Cover

If you’re looking for a good condenser mic to record vocals for under 250 dollars, Rode NT1-A is a good choice whether you’re upgrading to your first XLR microphone or replacing an old one in your studio.

To set up the Rode NT1-A for use, you’ll need an XLR cable in order to connect it to an audio interface or voice recorder. Thankfully Rode includes a decent 6m long cable in the box along with a shock mount,  a pop screen, and a carrying case.

This microphone has a sensitivity of -31.9dB which means it’s very good at picking up low noises. Combine that with a max SPL (the loudest sound the microphone can take without distorting) of 137 dB(SPL) and this microphone has a pretty great range that it can record without needing to do too much in post. 

As far as build quality goes, the Rode NT1-A is very well-built and sleekly designed. It has a stainless steel construction that feels tough.

The Rode NT1-A is a cardioid mic, meaning that its polar pattern, or the directions in which it picks up sounds, is in a heart shape. This is great for vocals as it won’t pick up any of the sound coming from behind the microphone reducing background noise in your final recording.

Why We Recommend It

It’s a classic large-capsule microphone, featuring a gold-plated diaphragm. This condenser mic is very well-known for its warm tone, while still managing to keep some brightness and clarity in there.

The mic is very clear and adds a sparkle that allows the voice to stand out right in front of the mix.

The NT1-A gives you world-class sound. Its classy, satin-finished, nickel-plated body looks right at home in any studio.

The sound from the NT1A is especially perfect for hip-hop and rap vocals because this microphone definitely makes your voice recordings easy to EQ.

This mic is very quiet, which also can be a good thing or a bad thing for some people.

The mic weighs slightly below 330 grams, or about 0.7 pounds. It’s pretty sturdy on the outside, and the inclusion of the internal shock mount makes it pretty resistant to rougher handling.


  • Cardioid polar pattern
  • Flat frequency response
  • Premium all-metal build quality
  • Low self-noise at just 5dB


  • Requires another device to provide phantom power
  • Heavy due to all-metal body

2. AKG Pro Audio P420 Condenser Mic

Microphone Specs:
  • Microphone Type: Condenser
  • Mono/Stereo: Mono
  • Polar Pattern: Cardioid, Omni, Figure-8
  • Diaphragm Size: 1″ (25.4mm)
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 135dB (155dB w/Pad)
  • Self Noise: 15dB (A weighted)
  • Connector: XLR
  • Weight: 1.17 lbs.
  • Included Accessories: Shockmount, Hardshell Case

AKG’s P420 large-diaphragm condenser mic gives you high sensitivity, a robust SPL capacity, and multiple pickup patterns; in short, it’s a versatile microphone that costs less than 250 dollars and provides uncompromising quality.

Among its most admirable features are its three selectable polar patterns: cardioid, omnidirectional, and figure 8. 

Multi-pattern mics also let you easily experiment with several recording techniques and their effectiveness on a project-by-project basis. 

With its high sensitivity and 155dB maximum SPL, the P420 delivers a warm, natural sound quality perfectly suited for vocals and a variety of instruments including acoustic guitar, grand piano, woodwind, and brass instruments, as well as drums and percussion.

The P420 isn’t restricted to musical applications either; with the increasing popularity of DIY podcasts and video blogs, the P420 shines as a capable voice-over workhorse, able to deliver clear, accurate, and consistent vocal reproductions.

Why We Recommend It

The mic’s construction is compact and solid with a nice amount of heft to it – it does not feel cheap in the slightest.

It also comes with a sturdy shockmount and protective metal case, both of which boast good enough quality and construction that you won’t need to swap them out unless you already have something better on hand. 

The AKG P420 has a pair of one-inch diaphragms, the textbook definition of a large-diaphragm microphone. 

With a maximum sound pressure handling of 135 dB straight and 155 dB with the pad switched on, there’s little short of a rocket launch that the AKG P420 won’t handle in terms of volume, so don’t worry about placing this mic in front of a screaming guitar amp. 


  • Accurate sound representation
  • Picks up less background noise
  • Affordable
  • Easy to use
  • Compact & sleek
  • Has a low profile


  • No USB connectivity
  • Fragile

3. Shure PGA27-LC Condenser Mic

Microphone Specs:
  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 130 dB, 145 dB w/Pad
  • Connector: XLR
  • Weight: 1 lb.

The PGA27 is a professional quality instrument microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence.

The wide frequency response and high SPL handling make the PGA27 ideal for capturing loud, dynamic sources with detail and accuracy. 

The cardioid pickup pattern helps you achieve a focused sound while reducing room noise. 

Additional features include a high-pass filter for extra control of unwanted low-end signals and a -15dB switchable attenuator for additional SPL versatility. 

Shure PGA27 Features side-address microphone for vocal as well as amplified and acoustic instrument recording.

Why We Recommend It

The side-address direction is known for being optimized by vocalists as well as amplified acoustic instruments such as guitars or other strings. 

The Shure PGA27 is a professionally used microphone that comes with an enhanced industrial design as well as state-of-the-art improved physical features. 

Long story short, if you are looking to amplify your sound you have a sure bet in the PGA27-LC as this microphone will deliver regardless of its environment.

All things considered, these are some of the necessary features that make this mic one of the best for under $250. 

Conveniently including a shock mount, as well as a padded zipper case if you are a big traveler these features allow it to be one of the best travel companions when you are on the road.


  • Cardioid polar pattern
  • Unobtrusive visual presence
  • High-pass filter
  • Shockmount
  • Padded zipper bag


  • No USB connectivity

4. TZ Stellar X2 Condenser Microphone

Microphone Specs:
  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Diaphragm Size: 1″ (25.4mm)
  • Frequency Response: 20Hz-18kHz
  • Max SPL: 130dB
  • Self Noise: 10dB (A weighted)
  • Connector: XLR
  • Weight: 0.76 lbs.
  • Included Accessories: Shockmount, Hardshell Case, Windscreen

The Stellar X2 comes with a solid carrying case that holds the mic, its shock mount, windscreen (not a pop-filter), and pouch. 

It’s a nice little build with a professional look about it. The main body feels durable enough with its iron jacket. The mesh grill looks like it’s made of iron too. 

Designed as an all-around performer, the manufacturers recommend the Stellar X2 for podcasting, studio vocals, piano, stringed instruments such as acoustic guitar, and percussion. 

On vocals the mic delivers a clean representation of the person in front of it, with no obvious coloration and a good balance of low–end density and high-end detail, all the while sounding smooth rather than aggressive. 

It lacks significant presence peaks, which means the mic should suit a wide variety of voice types.

Why We Recommend It

Inside the mic, there is a custom-built, center–terminated brass capsule skinned with Japanese Mylar. This is a K67‑style design and measures 34mm in diameter. 

 Essentially, the same part was used to make the Neumann U67 mic and a capsule that sounds virtually identical to the Neumann U87.

Outwardly the Stellar X2 looks much like any other large-diaphragm microphone, other than being slightly smaller, at just six inches long and 1.725 inches wide.

For a mic priced under $250, the Stellar X2 is a must-have. It competes effortlessly with mics costing five or even ten times the price.


  • Outstanding quality and performance for the money
  • Excellent 180-degree noise rejection
  • Simple to set up
  • Comes with a nice carry case
  • Small and unwieldy
  • Good output level
  • Flat frequency response



  • The foam wind protector feels cheap
  • Shock mount could be better
  • No low-cut filter

Small-Diaphragm Condenser Microphones – Reviews

5. Rode NT5 Condenser Mic

Microphone Specs:
  • Microphone Type: Condenser
  • Mono/Stereo: Stereo 
  • Polar Pattern: Cardioid
  • Diaphragm Size: 0.5″ (12.5mm)
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 143dB
  • Self Noise: 16dB (A weighted)
  • Connector: XLR
  • Weight: 0.22 lbs.

The Rode NT5 Microphone is an interior microphone that helps you do more low-profile recordings. 

It is a well-made, significant, and multi-faceted pencil condenser. It has a pair of small diagrams with low-noise output electronic equipment and whole frequency response. 

It helps to capture dialogue for video production and can be of great help to you. 

This condenser mic has cardioid characteristics and frequency range from 20Hz to 20kHz, just like any other standard condenser. 

The interesting part of this mic is its frequency response mainly flat with little low shelving from 100Hz and high shelving from 4kHz.

This interesting characteristic makes them ideal for overhead recording where you often need to cut low frequencies and boost highs.

The mic’s capsule is only half an inch which makes it quite compact and handy. This microphone comes with a padded zip pouch, a windshield, and a microphone clip.

Why We Recommend It

If you’re looking for an affordable small-diaphragm condenser microphone that is priced under $250, the RODE NT5 might be worth trying. 

This mic gives you the kind of performance that far exceeds what you’d expect from condensers at this price point. 

NT5 is an excellent mic for recording practically any instrument — guitar, flute, violin, saxophone, drums, you name it.

Recording with the NT5 is quite easy. You just need to prepare the equipment for recording, press the button, and start recording. Even those who are not so into technology can use them with ease. 

The sound quality that it records is incredible. It has a crisp, smooth, and clean sound, making it ideal for recording acoustic and live performances. 

Moreover, it also performs well with other kinds of recording. The sounds are very natural, just like listening to something live.


  • Easy to set up and use
  • It does not need much gain
  • It is strong and durable
  • It is excellent at decreasing reflections in indoor recordings
  • It is budget and user-friendly
  • It has an awesome production quality


  • Slightly heavier than other shotgun microphones
  • No high-pass polarity switches
  • It has no pad
  • Tends to get scratched because of its nickel covering

6. Rode M5-MP Matched Pair Mics

Microphone Specs:
  • Microphone Type: Condenser
  • Mono/Stereo: Stereo Pair
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 140dB
  • Connector: XLR
  • Weight: 0.17 lbs.

Rode M5-MP microphone pair has a distinctive matte-black ceramic exterior coating, making it both robust and visually appealing. 

The microphones are supplied with WS5 foam windshields and RM5 stand mounts. 

The M5s are 1/2-inch condensers with permanently polarized output. It is impossible to swap out the capsules since they have a fixed cardioid pattern. 

They are also quite little, measuring only 10cm in length and feeling like featherweights in hand. Due to its small shape, it is suitable for setting up a stereo setup in a pinch.

The response from 20Hz to 20 kHz has a faint, wide presence hump of no more than a couple of decibels centered about 7 kHz, but aside from that, the response is sensibly flat until it reaches the -3dB points at 20Hz and 20 kHz. 

The microphone does not include any pads or filter switches, despite the fact that it can handle SPLs of up to 140dB. (at 1kHz for one percent THD). 

It is a good choice for low-frequency applications because of its low sensitivity (-34dB ref 1V/P) and low A-weighted noise figure (19dB).

Why We Recommend It

Since the M5 comes as a pair of microphones, it is ideal for multi-miking situations. It works especially well for recording acoustical instruments.

The M5 can work in a multitude of situations from acting as a drum overhead in the studio, to becoming an acoustic guitar mic on stage.

These microphones have a very strong build quality and Rode supplies a free 2-year warranty for the mics.

For acoustic guitars and other acoustic instruments, this mic is the way to go! It provides a clear sound that sounds great without any major EQing or processing.

Surprisingly, this mic works great for vocals. It particularly sounds good with male vocals in the tenor range. The M5 is also perfect for recording choir or group vocals.

The M5 is also excellent for drum recording. It handles the low frequencies of the kick well without getting too muddy. 

The high frequencies of the cymbals sound great as long as you don’t position the microphone too close.


  • Great sound quality
  • Comes with a long 2-year warranty
  • Inexpensive
  • Very wide frequency response


  • The microphone capsule is not replaceable
  • No high-pass switch

7. Audix ADX51 Studio Condenser Microphone

Microphone Specs:
  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Diaphragm Size: 0.55″ (14mm)
  • Frequency Response: 40Hz-18kHz
  • Max SPL: 132dB
  • Connector: XLR
  • Weight: 0.41 lbs.

Audix ADX51 is a pre-polarized condenser microphone designed to handle a wide variety of live, studio, and broadcast applications. 

Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40-18kHz, the ADX51 is precision machined from solid brass with a low reflective black e-coat finish.

The thing about this mic is it sounds great out of the box, without the need for experiments and fiddling with EQ curves.

The microphone’s polar pattern is described as Cardioid, but the published graphs show the mic tending toward Omnidirectional below 500Hz, with only ~7dB rear rejection at 125Hz. 

At higher frequencies, the pattern tightens up somewhat but retains the characteristic rear lobe of a Supercardioid pattern.

Why We Recommend It

The ADX51 is a professional, pre-polarized condenser microphone for stage, studio, and broadcast applications. 

The ADX51 is clear sounding, accurate in response, and handles both close and distance miking for various acoustic instruments.

Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the acoustics of the instrument being miked while isolating it from other instruments. 

The ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter.

The Audix ADX51 has low-noise electronic circuitry, low impedance, and balanced output allowing interference-free performance even with long cable runs. 

The microphone is road-worthy and capable of reproducing high SPLs of 132dB, it is perfect for a studio or stage.


  • Great sound
  • Easy to use overheads
  • Works out of the box
  • Works in all kinds of setups


  • Limited usage

Dynamic Microphones Under $250 – Reviews

8. Shure MV7


Microphone Specs:
  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50Hz-16kHz
  • Max SPL: 132dB SPL
  • Connector: USB Micro-B, XLR, 1/8″ (headphones)
  • Weight: 1.21 lbs.

The Shure MV7 is an approachable microphone that lacks buttons and switches; instead, Shure outfitted the mic with a touch panel decorated by a row of LED lights to indicate the gain level. 

One of the main perks of the Shure MV7 is that you don’t need to choose between XLR and USB connectivity, with both an XLR and microUSB port found at the bottom of the device alongside a 3.5mm headphone jack for monitoring. 

Like practically every other microphone, the MV7 sports a 5/8” screw mount for mounting onto stands and boom arms and a 3/8″ adapter in the box for maximum compatibility.

It’s not only compatible with PC and Mac either; the Shure MV7 is also compatible with iOS and Android devices, sporting official Made for iPhone & iPad branding on the box and a dedicated version of the ShurePlus MOTIV app for iOS and Android devices.

Why We Recommend It

The Shure MV7 is a dynamic microphone with a single carded pickup pattern. It’s a popular choice for those that record podcasts and stream online, allowing you to place the microphone in front of you and have it capture your voice without picking up sounds from behind it. 

One particular feature that shines is the mic position toggle, automatically optimizing the mic’s settings depending on if you’re near or far from the mic. This is particularly handy for streamers and podcasters that don’t want the microphone in shot.

Manual mode is where you get into the nitty-gritty of audio production, allowing you to adjust the EQ, enable a limiter, reduce the dynamic range using compressor effects, and more, and you can save the presets within the app for easy switching.

The Shure MV7 is an impressively capable dynamic microphone with great software and maximum platform compatibility, and it costs less than 250 dollars.


  • Superb vocal reproduction
  • Set it and forget it interface
  • Excellent companion software
  • Simultaneous XLR and USB outputs
  • Build quality
  • Versatility


  • Limited to cardioid recording pattern
  • Limited touch controls

9. Sennheiser Pro Audio e935


Microphone Specs:
  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 40Hz-18kHz
  • Connector: XLR
  • Weight: 0.73 lbs.

Sennheiser e935 is a very powerful but inexpensive handheld. It has a beautifully balanced sound and clarity of a condenser mic. On the other hand, it is quite unpretentious and works wonderfully for both female and deeper male voices.

The e935 is built for musicians that require a tough mic for life on the road or constant gigging, one that can take a good beating without dying on them. 

On that front, the e935 delivers, featuring a rugged metal body and an advanced shock mount design.

With a nominal impedance of 350 ohms, the mic is on par with a good majority of other stage microphones in this field. Its cardioid pickup pattern helps with feedback reduction, even near speakers and monitors. 

While all this is standard fare for these types of mics, what sets the e935 apart is its excellent extended frequency response (40 – 18,000 Hz), giving it increased sensitivity and realistic sound reproduction that goes great with vocals. 

Why We Recommend It

Sennheiser e935 has a well-crafted frequency pattern with a reasonable presence boost and decent bass roll-off, at the same time there are no sudden bumps – the gentle transition makes it sound very natural. 

This mic has an optimal balance of brightness, which is so crucial for live performance, so it easily cuts through the mix, and yet you won’t hear a pinch of harshness that of the condensers.

This one of the best dynamic microphones under $250 comes with a 10-year warranty. 

Apart from being extremely resistant to feedback, a humbucking coil assures cancellation of interference, whereas the shock-resistant capsule mounting also does well at minimizing the handling noise.

The e935 dynamic mic can reproduce electric guitars, acoustic guitars, keyboards, ukuleles, and similar instruments. That means the Sennheiser e935 cardioid dynamic mic has live stage applications. 


  • Detailed lovely highs and mids for a dynamic mic
  • 10-year warranty
  • Sturdy build, solid in the hand
  • Resistant to feedback


  • Boomy, requires good mic technique

10. Heil Sound The Fin Dynamic Microphone


Microphone Specs:
  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Diaphragm Size: 0.55″ (14mm)
  • Frequency Response: 60Hz-18kHz
  • Max SPL: 142dB
  • Connector: XLR
  • Weight: 1.55 lbs.

The Fin by Heil Sound is a cardioid pattern live dynamic microphone designed with both looks and performance in mind. 

While the microphone is aimed primarily at vocalists and broadcasters, The Fin also works with amplifiers, harmonicas, brass instruments, and other sound sources.

The exceptional performance of this mic is achieved thanks to a special magnet structure with a large 1-1/18″ aluminum low mass voice coil assembly. 

The frequency response is 60 Hz-18 kHz with that traditional Heil Sound mid-range “bouquet” at 4 kHz, presenting incredible brilliance and presence. 

The Heil Fin exhibits a tight linear cardioid pattern. The chrome finish is a special “showchrome,” where the steel body is copper-plated and then double chrome-plated, producing a deep chrome finish. 

A blue molded internal foam windscreen inside the grill covers the large diameter Heil dynamic microphone element mounted in a specially tooled Sorbothane shockmount.

Why We Recommend It

Featuring white LEDs, The Fin Dynamic Chrome Vocal Microphone from Heil Sound is a dynamic vocal microphone with vintage deep-chrome plated construction that delivers great vocal reproduction and charm. 

A windscreen is internally mounted within the grill, and four LEDs illuminate the capsule.

The microphone audio will also work with unbalanced low impedance inputs typically found on amateur radios, communications audio, or simple public announcement systems. 

With plenty of presence, punch, and clarity, this mic is a great choice for any vocalist or musician who’s serious about sound. Couple that with the fact that The Fin is one of the best looking retro-styled dynamic mics around, and you have a clear winner.


  • Excellent build quality
  • Retro look and feel
  • Great sound reproduction
  • Can be used in multiple setups


  • Prone to feedback

11. Shure Super 55 Deluxe Microphone

Microphone Specs:
  • Microphone Type: Dynamic
  • Polar Pattern: Supercardioid
  • Frequency Response: 60Hz-17kHz
  • Connector: XLR
  • Weight: 1.4 lbs.

The Shure Super 55 Deluxe dynamic vocal microphone combines vintage-style looks and modern performance, giving you a great-sounding mic that’s a real eye-catcher onstage.

On the inside of its rock-and-roll friendly exterior is a modern supercarioid dynamic mic capsule that follows after modern mic specifications. The end result being a classic-looking mic, with modern ambient rejection and improved sound.

The Super 55 Deluxe Vocal Microphone has a distinctive satin chrome-plated die-cast enclosure, uni-directional polar pattern, and rich blue foam, along with a frequency response tailored for natural vocal and speech clarity. 

In addition, it comes with a swivel mount and an integrated stand.

The microphone is ideal for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.

Why We Recommend It

This is definitely one of the best microphones for under 250 dollars and it provides outstanding sound quality and clarity, which you cannot find anywhere else for this price range, with excellent off-axis rejection, which helps in reducing other noises while recording.

The self-tensioning swivel mount allows tilting through 45 degrees forward and 80 degrees backward. And the rugged die-casting for long-term reliability gives it a dependable performance.

In addition to its stage-friendly durability, reliability, and tight pickup pattern, the Super 55 Deluxe also works well for studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired. 

Its shock-mounted internal cartridge minimizes handling noise and gives you quiet operation.


  • Retro classical look
  • Durable
  • No phantom power supply required
  • Nice sound capturing
  • Effective off-axis rejection


  • The mic is a bit heavy
  • Captures bit of plosives and sibilants

Best Microphone Under $250 – Buying Guide

Whether you’ve got a plan to be the next big podcaster/streamer or you are keen on setting up a home studio, here are some useful things to know and important features to consider when shopping for microphones under 250 dollars.

1. Dynamic Mic Vs Condenser Mic

Microphones in this price range are usually of the dynamic or condenser types. Dynamic microphones will pick less background noise and tend to have a more focused sound, that’s why they’re used a lot for live performances. On the other hand, they will have much less sensitivity than their condenser counterparts.

Condenser microphones have more sensitivity and they pick up a lot more sound and a lot more details. 

For that reason, when using them you should record in a soundproof, treated room. An audio interface with +48V phantom power feature will also be necessary.

2. Polar Pattern

When it comes to music recording, there are three basic polar patterns: cardioid (and its derivatives super-cardioid and hyper-cardioid), omnidirectional and figure 8.

Cardioid, super-cardioid, and hyper-cardioid patterns will only pick sound coming directly into the mic’s diaphragm and ignore most of the sound coming from behind it. 

These types are the most recommended when recording vocals, so we recommend sticking to them.

Omnidirectional, on the other hand, will pick sound in 360, that is, from every side of the microphone. 

Figure 8 will focus more on picking sounds from the front and the back and ignoring the sides of the mic. These particular types are more useful for recording room sounds and choirs.

3. Diaphragm

All microphones work just like your eardrums. Some diaphragms are thin plates or skins that vibrate due to the pressure of sound waves contacting them. 

Then, the mechanism attached to the diaphragm translates these vibrations into an electrical signal. That signal is sent down to the mic cable and then to a speaker or computer so that you can hear and record. 

Size matters and in that case we choose microphones with a large diaphragm. Microphones with small diaphragms are best known for being more precise and accurate, but you will have limited options for vocal and instrument recordings.

4. Durability

For starters, a $250 microphone is a reasonable budget to search for a reliable choice. Those mics and models we picked below are made to endure everyday use. 

Build quality is more than the chassis and other apparent components. Also, there are a few simple things to do to make sure your condenser mic will last longer. 


As you can see, there are still high-quality professional mics that are under 250 dollars. Hopefully, our list has helped you figure out what type of microphone you’re looking for. When you know what you are looking for, you can own one of the best microphones for under $250. 

Choosing the right studio mic is an easy job with my recommendations above. All options will fit perfectly in any home recording studio, and no matter which one you go with, you won’t be disappointed.

Written by:
AJ Mani
AJ Mani

AJ has been intimately involved with music for more than 25 years as a composer, electronic musician, guitarist, writer, music software developer, and keyboard technician.

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